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To Each His Own Cinema

To Each His Own Cinema

Comedy · Drama · 2007

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Movie details

To Each His Own Cinema

“A declaration of love on the big screen.”

2007 Comedy · Drama 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over To Each His Own Cinema?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Theo Angelopoulos · Olivier Assayas · Bille August

Written by

Takeshi Kitano · Joel Coen · Ethan Coen · Zou Jingzhi

Golshifteh Farahani

Golshifteh Farahani

Woman in Cinema (segment: Where Is My Romeo?)

Taraneh Alidoosti

Taraneh Alidoosti

Self

Pegah Ahangarani

Pegah Ahangarani

Cast

Vishka Asayesh

Vishka Asayesh

Cast

David Cronenberg

David Cronenberg

The Suicidal Man (segment "At the suicide of the last Jew ...")

Josh Brolin

Josh Brolin

(segment "World cinema")

Giorgi Babluani

Giorgi Babluani

The thief (segment "Recrudescence")

Court is in session

Put To Each His Own Cinema on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.