“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Every Time We Say Goodbye
War · Drama · Romance · 1986
A Protestant World War II pilot and a Jewish girl fall in love in Jerusalem, even though their diverse backgrounds threaten to pull them apart.
Every Time We Say Goodbye
“In a time and a world of impossible love, he would accept nothing less than everything.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.0 / 10
Community rating
A Protestant World War II pilot and a Jewish girl fall in love in Jerusalem, even though their diverse backgrounds threaten to pull them apart.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Every Time We Say Goodbye?
The Prestige Tourist
“You like your greatness pre-approved.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Moshé Mizrahi
Written by
Moshé Mizrahi · Rachel Fabien · Leah Appet
Put Every Time We Say Goodbye on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






