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Disobedience

Disobedience

Drama · Romance · 2018

New York photographer Ronit flies to London after learning about the death of her estranged father. Ronit is returning to the same Orthodox Jewish community that shunned her decades earlier for her childhood attraction to Esti, a female friend. Their fortuitous and happy reunion soon reignites their burning passion as the two women explore the boundaries of faith and sexuality.

Movie details

Disobedience

“Love is an act of defiance”

2018 Drama · Romance 1h 54m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

New York photographer Ronit flies to London after learning about the death of her estranged father. Ronit is returning to the same Orthodox Jewish community that shunned her decades earlier for her childhood attraction to Esti, a female friend. Their fortuitous and happy reunion soon reignites their burning passion as the two women explore the boundaries of faith and sexuality.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Disobedience?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sebastián Lelio

Written by

Rebecca Lenkiewicz · Sebastián Lelio

Rachel Weisz

Rachel Weisz

Ronit Krushka

Rachel McAdams

Rachel McAdams

Esti Kuperman

Alessandro Nivola

Alessandro Nivola

Dovid Kuperman

Allan Corduner

Allan Corduner

Moshe Hartog

Anton Lesser

Anton Lesser

Rav Krushka

Nicholas Woodeson

Nicholas Woodeson

Rabbi Goldfarb

David Fleeshman

David Fleeshman

Yosef Kirschbaum

Court is in session

Put Disobedience on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.