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I Now Pronounce You Chuck & Larry

I Now Pronounce You Chuck & Larry

Comedy · Romance · 2007

Firefighters Chuck Ford and Larry Valentine are guy's guys, loyal to the core—which is why when widower Larry asks Chuck to pose as his lover so that he can get domestic partner benefits for his kids, his buddy agrees. However, things get dicey when a bureaucrat comes calling, and the boys are forced to present a picture of domestic bliss.

Movie details

I Now Pronounce You Chuck & Larry

“They're as straight as can be, but don't tell anyone.”

2007 Comedy · Romance 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Firefighters Chuck Ford and Larry Valentine are guy's guys, loyal to the core—which is why when widower Larry asks Chuck to pose as his lover so that he can get domestic partner benefits for his kids, his buddy agrees. However, things get dicey when a bureaucrat comes calling, and the boys are forced to present a picture of domestic bliss.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I Now Pronounce You Chuck & Larry?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Dennis Dugan

Written by

Barry Fanaro · Alexander Payne · Jim Taylor

Adam Sandler

Adam Sandler

Chuck Levine

Kevin James

Kevin James

Larry Valentine

Jessica Biel

Jessica Biel

Alex McDonough

Dan Aykroyd

Dan Aykroyd

Captain Tucker

Ving Rhames

Ving Rhames

Duncan

Steve Buscemi

Steve Buscemi

Clinton Fitzer

Nicholas Turturro

Nicholas Turturro

Renaldo Pinera

Court is in session

Put I Now Pronounce You Chuck & Larry on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.