The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Crooklyn
Comedy · Drama · 1994
From Spike Lee comes this vibrant semi-autobiographical portrait of a school-teacher, her stubborn jazz-musician husband and their five kids living in '70s Brooklyn.
Movie details
Crooklyn
“A new look at the old neighborhood.”
1994 Comedy · Drama 1h 54m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.8 / 10
Community rating
From Spike Lee comes this vibrant semi-autobiographical portrait of a school-teacher, her stubborn jazz-musician husband and their five kids living in '70s Brooklyn.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Crooklyn?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Slums of Beverly Hills
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Names above the title
The people responsible.
Cast & crew
Directed by
Spike Lee
Written by
Joie Lee · Cinqué Lee · Spike Lee
Alfre Woodard
Carolyn Carmichael
Delroy Lindo
Woody Carmichael
David Patrick Kelly
Tony Eyes / Jim
Zelda Harris
Troy Carmichael
C
Carlton Williams
Clinton Carmichael
Sharif Rashed
Wendell Carmichael
Tse-Mach Washington
Joseph Carmichael
Court is in session
Put Crooklyn on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.