The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Sweet and Lowdown
Comedy · Drama · Music · 1999
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
Movie details
Sweet and Lowdown
1999 Comedy · Drama · Music 1h 35m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.8 / 10
Community rating
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Sweet and Lowdown?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Woody Allen
Written by
Woody Allen
Sean Penn
Emmet Ray
Samantha Morton
Hattie
Anthony LaPaglia
Al Torrio
Uma Thurman
Blanche Williams
James Urbaniak
Harry
John Waters
Mr. Haynes
Gretchen Mol
Ellie
Court is in session
Put Sweet and Lowdown on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.