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A Serious Man

A Serious Man

Comedy · Drama · 2009

It is 1967, and Larry Gopnik, a physics professor at a quiet Midwestern university, has just been informed by his wife Judith that she is leaving him. She has fallen in love with one of his more pompous acquaintances Sy Ableman.

Movie details

A Serious Man

“Accept mystery.”

2009 Comedy · Drama 1h 46m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

155.3K votes

Rotten Tomatoes

89 %

Tomatometer

Metacritic

88 / 100

Metascore

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

It is 1967, and Larry Gopnik, a physics professor at a quiet Midwestern university, has just been informed by his wife Judith that she is leaving him. She has fallen in love with one of his more pompous acquaintances Sy Ableman.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Serious Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Joel Coen · Ethan Coen

Written by

Joel Coen · Ethan Coen

Michael Stuhlbarg

Michael Stuhlbarg

Larry Gopnik

Richard Kind

Richard Kind

Uncle Arthur

Fred Melamed

Fred Melamed

Sy Ableman

Sari Lennick

Sari Lennick

Judith Gopnik

Aaron Wolff

Aaron Wolff

Danny Gopnik

J

Jessica McManus

Sarah Gopnik

Peter Breitmayer

Peter Breitmayer

Mr. Brandt

Court is in session

Put A Serious Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.