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The Glass Bottom Boat

The Glass Bottom Boat

Comedy · Romance · 1966

Bruce, the owner of an aerospace company, is infatuated with Jennifer and hires her to be his biographer so that he can be near her and win her affections. Is she actually a Russian spy trying to obtain aerospace secrets?

Movie details

The Glass Bottom Boat

“Is this the girl next door?”

1966 Comedy · Romance 1h 50m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Bruce, the owner of an aerospace company, is infatuated with Jennifer and hires her to be his biographer so that he can be near her and win her affections. Is she actually a Russian spy trying to obtain aerospace secrets?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Glass Bottom Boat?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Frank Tashlin

Written by

Everett Freeman

Doris Day

Doris Day

Jennifer Nelson

Rod Taylor

Rod Taylor

Bruce Templeton

Arthur Godfrey

Arthur Godfrey

Axel Nordstrom

John McGiver

John McGiver

Ralph Goodwin

Paul Lynde

Paul Lynde

Homer Cripps

Edward Andrews

Edward Andrews

Gen. Wallace Bleecker

Eric Fleming

Eric Fleming

Edgar Hill

Court is in session

Put The Glass Bottom Boat on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.