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The House of Yes

The House of Yes

Comedy · Drama · 1997

Jackie-O is anxiously awaiting the visit of her brother home for Thanksgiving, but isn't expecting him to bring a friend — and she's even more shocked to learn that this friend is his fiance. It soon becomes clear that her obsession with Jackie Kennedy is nothing compared to her obsession with her brother, and she isn't the only member of the family with problems.

Movie details

The House of Yes

“Enter at your own risk.”

1997 Comedy · Drama 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Jackie-O is anxiously awaiting the visit of her brother home for Thanksgiving, but isn't expecting him to bring a friend — and she's even more shocked to learn that this friend is his fiance. It soon becomes clear that her obsession with Jackie Kennedy is nothing compared to her obsession with her brother, and she isn't the only member of the family with problems.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The House of Yes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Mark Waters

Written by

Mark Waters · Wendy MacLeod

Parker Posey

Parker Posey

Jackie-O

Josh Hamilton

Josh Hamilton

Marty

Tori Spelling

Tori Spelling

Lesly

Freddie Prinze Jr.

Freddie Prinze Jr.

Anthony

Geneviève Bujold

Geneviève Bujold

Mrs. Pascal

Rachael Leigh Cook

Rachael Leigh Cook

Young Jackie-O

D

David Love

Young Marty (voice)

Court is in session

Put The House of Yes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.