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Friendship

Friendship

Comedy · Drama · 2025

Suburban dad Craig falls hard for his charismatic new neighbor Austin, and his attempts to make an adult male friend threatens to ruin both of their lives.

Movie details

Friendship

“Men shouldn't have friends.”

2025 Comedy · Drama 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Suburban dad Craig falls hard for his charismatic new neighbor Austin, and his attempts to make an adult male friend threatens to ruin both of their lives.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Friendship?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The War of the Roses

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Barbara and Oliver Rose live happily as a married couple. When Barbara starts to wonder what life would be like without Oliver and likes what she sees, the two begin a campaign to force each other to leave their house, with their divorce lawyer D'Amato caught in the middle.

Paddleton

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Drama · 2025

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Happiness

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The Ice Storm

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The Invite

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Joe and Angela's marriage is on thin ice. When they invite their enigmatic upstairs neighbors for a dinner party, the night spirals into unexpected places.

Where it lives

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Names above the title

The people responsible.

Directed by

Andrew DeYoung

Written by

Andrew DeYoung

Tim Robinson

Tim Robinson

Craig Waterman

Paul Rudd

Paul Rudd

Austin Carmichael

Kate Mara

Kate Mara

Tami Waterman

Jack Dylan Grazer

Jack Dylan Grazer

Steven Waterman

Rick Worthy

Rick Worthy

Mr. Mendoza

Whitmer Thomas

Whitmer Thomas

Ian

Daniel London

Daniel London

Stan

Court is in session

Put Friendship on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.