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Why Did I Get Married?

Why Did I Get Married?

Comedy · Drama · 2007

Eight married college friends plus one other non-friend (all of whom have achieved middle to upper class economic status) go to Colorado for their annual week-long reunion, but the mood shifts when one couple's infidelity comes to light. As secrets are revealed, each couple begins to question their own relationship.

Movie details

Why Did I Get Married?

“Because we complete each other's sentences.”

2007 Comedy · Drama 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Eight married college friends plus one other non-friend (all of whom have achieved middle to upper class economic status) go to Colorado for their annual week-long reunion, but the mood shifts when one couple's infidelity comes to light. As secrets are revealed, each couple begins to question their own relationship.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Why Did I Get Married??

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tyler Perry

Written by

Tyler Perry

Tyler Perry

Tyler Perry

Terry

Janet Jackson

Janet Jackson

Patricia

Jill Scott

Jill Scott

Sheila

Sharon Leal

Sharon Leal

Diane

Tasha Smith

Tasha Smith

Angela

Malik Yoba

Malik Yoba

Gavin

Richard T. Jones

Richard T. Jones

Mike

Court is in session

Put Why Did I Get Married? on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.