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Soul Food

Soul Food

Comedy · Drama · 1997

Traditional Sunday dinners at Mama Joe's turn sour when sisters Teri, Bird and Maxine start bringing their problems to the dinner table in this ensemble comedy. When tragedy strikes, it's up to grandson Ahmad to pull the family together and put the soul back into the family's weekly gatherings.

Movie details

Soul Food

“Every family needs some.”

1997 Comedy · Drama 1h 54m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Traditional Sunday dinners at Mama Joe's turn sour when sisters Teri, Bird and Maxine start bringing their problems to the dinner table in this ensemble comedy. When tragedy strikes, it's up to grandson Ahmad to pull the family together and put the soul back into the family's weekly gatherings.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Soul Food?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

George Tillman Jr.

Written by

George Tillman Jr.

Vanessa Williams

Vanessa Williams

Teri

Vivica A. Fox

Vivica A. Fox

Maxine

Nia Long

Nia Long

Robin (Bird)

Michael Beach

Michael Beach

Miles

Mekhi Phifer

Mekhi Phifer

Lem

Brandon Hammond

Brandon Hammond

Ahmad

Jeffrey D. Sams

Jeffrey D. Sams

Kenny

Court is in session

Put Soul Food on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.