The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
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Frankenstein Created Woman
Horror · Science Fiction · 1967
A deformed tormented girl drowns herself after her lover is framed for murder and guillotined. Baron Frankenstein, experimenting with the transfer of souls, places the boy's soul into her body, bringing Christina back to life. Driven by revenge, she carries out a violent retribution on those responsible for both deaths.
Movie details
Frankenstein Created Woman
“Now Frankenstein has created a beautiful woman with the soul of the Devil!”
1967 Horror · Science Fiction 1h 32m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
A deformed tormented girl drowns herself after her lover is framed for murder and guillotined. Baron Frankenstein, experimenting with the transfer of souls, places the boy's soul into her body, bringing Christina back to life. Driven by revenge, she carries out a violent retribution on those responsible for both deaths.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Frankenstein Created Woman?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Terence Fisher
Written by
Anthony Hinds
Peter Cushing
Baron Frankenstein
Susan Denberg
Christina
Thorley Walters
Dr. Hertz
Robert Morris
Hans
Duncan Lamont
The Prisoner
Peter Blythe
Anton
B
Barry Warren
Karl
Court is in session
Put Frankenstein Created Woman on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.