The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Frankenstein Must Be Destroyed
Horror · Science Fiction · 1969
Blackmailing a young couple to assist with his horrific experiments the Baron, desperate for vital medical data, abducts a man from an insane asylum. On route the abductee dies and the Baron and his assistant transplant his brain into a corpse. The creature is tormented by a trapped soul in an alien shell and, after a visit to his wife who violently rejects his monstrous form, the creature wreaks his revenge on the perpetrator of his misery: Baron Frankenstein.
Movie details
Frankenstein Must Be Destroyed
“The Most Frightening Frankenstein Movie Ever!”
1969 Horror · Science Fiction 1h 41m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
Blackmailing a young couple to assist with his horrific experiments the Baron, desperate for vital medical data, abducts a man from an insane asylum. On route the abductee dies and the Baron and his assistant transplant his brain into a corpse. The creature is tormented by a trapped soul in an alien shell and, after a visit to his wife who violently rejects his monstrous form, the creature wreaks his revenge on the perpetrator of his misery: Baron Frankenstein.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Frankenstein Must Be Destroyed?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Amanda's deathbed request to her son, John, was for him to destroy all the lab notes etc. from her last experiment. She also blurts out he had a brother. At the funeral John meets Melissa, who claims to be his mother's biggest fan. Together with some of John's friends they go to Amanda's house, but none are prepared for what they find there.
Doctor X
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Malignant
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Madison is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities with a mysterious tie to her past.
Daddy's Head
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A boy and his stepmother fear for their safety after an eerie creature resembling the boy's recently deceased father visits them.
The Resurrected
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Dolly
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Young Macy is abducted by a deranged, monstrous figure who wants to raise her as its child.
Nightmare Cinema
Horror · 2018
A series of down-on-their-luck individuals enter the decrepit and spine-chilling Rialto theater, only to have their deepest and darkest fears brought to life on the silver screen by The Projectionist – a mysterious, ghostly figure who holds the nightmarish futures of all who attend his screenings.
Possessor
Horror · 2020
Tasya Vos, an elite corporate assassin, uses brain-implant technology to take control of other people’s bodies to terminate high profile targets. As she sinks deeper into her latest assignment, Vos becomes trapped inside a mind that threatens to obliterate her.
Flesh for Frankenstein
Horror · 1973
Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre and hilarious combination of death and dismemberment.
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Names above the title
The people responsible.
Cast & crew
Directed by
Terence Fisher
Written by
Anthony Nelson Keys · Bert Batt
Peter Cushing
Baron Victor Frankenstein
Veronica Carlson
Anna Spengler
Freddie Jones
Prof. Richter
Simon Ward
Dr. Karl Holst
Thorley Walters
Insp. Fritsch
Maxine Audley
Ella Brandt
George Pravda
Dr. Frederick Brandt
Court is in session
Put Frankenstein Must Be Destroyed on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.