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Me and Earl and the Dying Girl

Me and Earl and the Dying Girl

Drama · Comedy · 2015

Greg is coasting through senior year of high school as anonymously as possible, avoiding social interactions like the plague while secretly making spirited, bizarre films with Earl, his only friend. But both his anonymity and friendship threaten to unravel when his mother forces him to befriend a classmate with leukemia.

Movie details

Me and Earl and the Dying Girl

“A little friendship never killed anyone.”

2015 Drama · Comedy 1h 45m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Greg is coasting through senior year of high school as anonymously as possible, avoiding social interactions like the plague while secretly making spirited, bizarre films with Earl, his only friend. But both his anonymity and friendship threaten to unravel when his mother forces him to befriend a classmate with leukemia.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Me and Earl and the Dying Girl?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alfonso Gomez-Rejon

Written by

Jesse Andrews

Olivia Cooke

Olivia Cooke

Rachel Kushner

Thomas Mann

Thomas Mann

Greg Gaines

RJ Cyler

RJ Cyler

Earl Jackson

Connie Britton

Connie Britton

Greg's Mom

Nick Offerman

Nick Offerman

Greg's Dad

Molly Shannon

Molly Shannon

Denise Kushner

Jon Bernthal

Jon Bernthal

Mr. McCarthy

Court is in session

Put Me and Earl and the Dying Girl on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.