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The Outsiders

The Outsiders

Crime · Drama · 1983

In 1960s Tulsa, class divisions ignite a violent rivalry between the working-class Greasers and the privileged Socs. When a deadly encounter forces two Greasers, Ponyboy and Johnny, to flee, their struggle for survival and redemption exposes the fragile innocence and enduring bonds of youth on the wrong side of town.

Movie details

The Outsiders

“They grew up on the outside of society. They weren't looking for a fight. They were looking to belong.”

1983 Crime · Drama 1h 31m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

In 1960s Tulsa, class divisions ignite a violent rivalry between the working-class Greasers and the privileged Socs. When a deadly encounter forces two Greasers, Ponyboy and Johnny, to flee, their struggle for survival and redemption exposes the fragile innocence and enduring bonds of youth on the wrong side of town.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Outsiders?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Francis Ford Coppola

Written by

Kathleen Rowell

C. Thomas Howell

C. Thomas Howell

Ponyboy Curtis

Matt Dillon

Matt Dillon

Dallas Winston

Ralph Macchio

Ralph Macchio

Johnny Cade

Patrick Swayze

Patrick Swayze

Darrel Curtis

Rob Lowe

Rob Lowe

Sodapop Curtis

Emilio Estevez

Emilio Estevez

Two-Bit Matthews

Tom Cruise

Tom Cruise

Steve Randle

Court is in session

Put The Outsiders on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.