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The Mighty

The Mighty

Drama · Comedy · 1998

Kevin, an intelligent guy helps out Maxwell to improve his reading skills. In return, Kevin wants Maxwell to take him out places since he is not authorized to go out. Being the social outcasts of the town, Kevin and Maxwell come to realize that they are similar to each other and accept that they are "freaks" and nothing will stop them.

Movie details

The Mighty

“The quest for friendship is the noblest cause of all”

1998 Drama · Comedy 1h 40m

Critical arithmetic

The consensus, allegedly.

IMDb

7.2 / 10

14.2K votes

Rotten Tomatoes

74 %

Tomatometer

TMDB

7.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Kevin, an intelligent guy helps out Maxwell to improve his reading skills. In return, Kevin wants Maxwell to take him out places since he is not authorized to go out. Being the social outcasts of the town, Kevin and Maxwell come to realize that they are similar to each other and accept that they are "freaks" and nothing will stop them.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mighty?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Peter Chelsom

Written by

Charles Leavitt

Sharon Stone

Sharon Stone

Gwen Dillon

Elden Henson

Elden Henson

Maxwell "Max" Kane

Kieran Culkin

Kieran Culkin

Kevin "Freak" Dillon

Gena Rowlands

Gena Rowlands

Gram

Harry Dean Stanton

Harry Dean Stanton

Grim

Meat Loaf

Meat Loaf

Iggy

Jenifer Lewis

Jenifer Lewis

Mrs. Addison

Court is in session

Put The Mighty on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.