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Frankenstein Meets the Wolf Man

Frankenstein Meets the Wolf Man

Horror · Science Fiction · 1943

After being resurrected by grave robbers, Larry Talbot searches for Dr. Frankenstein in the hopes of being cured of his lycanthropy. The mad scientist may turn out to be dead, but his monster is just waiting to be found…

Movie details

Frankenstein Meets the Wolf Man

“A death fight between two beasts!”

1943 Horror · Science Fiction 1h 14m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

After being resurrected by grave robbers, Larry Talbot searches for Dr. Frankenstein in the hopes of being cured of his lycanthropy. The mad scientist may turn out to be dead, but his monster is just waiting to be found…

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Frankenstein Meets the Wolf Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Roy William Neill

Written by

Curt Siodmak

Lon Chaney Jr.

Lon Chaney Jr.

Lawrence 'Larry' Stewart Talbot / The Wolf Man

Bela Lugosi

Bela Lugosi

The Frankenstein Monster

Patric Knowles

Patric Knowles

Dr. Frank Mannering

Ilona Massey

Ilona Massey

Baroness Elsa Frankenstein

Maria Ouspenskaya

Maria Ouspenskaya

Maleva the Gypsy

Dennis Hoey

Dennis Hoey

Inspector Owen

Lionel Atwill

Lionel Atwill

Mayor of Vasaria

Court is in session

Put Frankenstein Meets the Wolf Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.