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The Invisible Man Returns

The Invisible Man Returns

Horror · Science Fiction · 1940

The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.

Movie details

The Invisible Man Returns

“They hear him! They feel him! But they can't stop him!”

1940 Horror · Science Fiction 1h 21m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Invisible Man Returns?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Frankenstein Meets the Wolf Man

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The Evil of Frankenstein

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The Blob

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A drive-in favorite, this sci-fi classic follows teenagers Steve and his best girl, Jane, as they try to protect their hometown from a gelatinous alien life form that engulfs everything it touches. The first to discover the substance and live to tell about it, Steve and Jane witness the blob destroying an elderly man, then it growing to a terrifying size. But no one else has seen the goo, and policeman Dave refuses to believe the kids without proof.

Quatermass 2

Quatermass 2

Sci-fi · 1957

In England, a group of space scientists led by Bernard Quatermass, who have developed plans for the first Moon colony, learn that a secret, ostensibly government-run, complex of identical design has been built in a remote part of England and is the focus of periodic falls of small, hollow "meteorites" originating in outer space. Quatermass determines to investigate and uncovers a terrifying extraterrestrial life form which has already begun action to take over the Earth.

The Horror of Frankenstein

The Horror of Frankenstein

Horror · 1970

Brilliant but arrogant scientist Victor Frankenstein builds a man from spare body parts, only for the monster to come alive and wreak havoc.

Son of Frankenstein

Son of Frankenstein

Horror · 1939

One of the sons of late Dr. Henry Frankenstein finds his father's ghoulish creation in a coma and revives him, only to find out the monster is controlled by Ygor who is bent on revenge.

The Cellar

The Cellar

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When Keira Woods' daughter mysteriously vanishes in the cellar of their new house in the country, she soon discovers there is an ancient and powerful entity controlling their home that she will have to face or risk losing her family's souls forever.

Bride of Frankenstein

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Dr. Frankenstein and his monster both turn out to be alive after being attacked by an angry mob. The now-chastened scientist attempts to escape his past, but a former mentor forces him to assist with the creation of a new creature.

The Invisible Man

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Horror · 1933

After experimenting on himself and becoming invisible, scientist Jack Griffin, now aggressive due to the drug's effects, seeks a way to reverse the experiment at any cost.

The Dead Zone

The Dead Zone

Thriller · 1983

Johnny Smith is a schoolteacher with his whole life ahead of him but, after leaving his fiancee's home one night, is involved in a car crash which leaves him in a coma for 5 years. When he wakes, he discovers he has an ability to see into the past, present and future life of anyone with whom he comes into physical contact.

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Names above the title

The people responsible.

Directed by

Joe May

Written by

Curt Siodmak · Lester Cole · Joe May

Cedric Hardwicke

Cedric Hardwicke

Richard Cobb

Vincent Price

Vincent Price

Geoffrey Radcliffe

Nan Grey

Nan Grey

Helen Manson

John Sutton

John Sutton

Dr. Frank Griffin

Cecil Kellaway

Cecil Kellaway

Inspector Sampson

Alan Napier

Alan Napier

Willie Spears

Forrester Harvey

Forrester Harvey

Ben Jenkins

Court is in session

Put The Invisible Man Returns on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.