The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Vampire Circus
Horror · 1972
After a spate of murders, the villagers of Schtettel kill the depraved perpetrator, Count Mitterhouse. Fifteen years later the Circus of Nights appeared in the plague-ridden village and its performers include Mitterhouse's mistress, children and cousins. They have come to Schtettel to fulfil the Count's last words, an evil, vicious curse of death and destruction on those who participated in his impaling. The children of Schtettel become the targets for a brutal and devastating revenge as the Vampire Circus rehearses for its most deadly performance.
Movie details
Vampire Circus
“Human fangs ripping throats - no sawdust can soak up the torrent of blood!”
1972 Horror 1h 27m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
5.9 / 10
Community rating
After a spate of murders, the villagers of Schtettel kill the depraved perpetrator, Count Mitterhouse. Fifteen years later the Circus of Nights appeared in the plague-ridden village and its performers include Mitterhouse's mistress, children and cousins. They have come to Schtettel to fulfil the Count's last words, an evil, vicious curse of death and destruction on those who participated in his impaling. The children of Schtettel become the targets for a brutal and devastating revenge as the Vampire Circus rehearses for its most deadly performance.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Vampire Circus?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Dracula A.D. 1972
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The Horror of Frankenstein
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Mark of the Vampire
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Sir Borotyn, a prominent Prague resident, is discovered murdered in his home, with all indications pointing to a vampire assault. The victim's friend, Baron Otto, and the physician who analyzes the body, are certain that the vampire is the mysterious Count Mora or his daughter. Receiving little help from the law, Professor Zelen, an expert in the occult, is called in to assist with their investigation.
Outbreak
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The Brides of Dracula
Horror · 1960
A young teacher on her way to a position in Transylvania helps a young man escape the shackles his mother has put on him. In so doing she innocently unleashes the horrors of the undead once again on the populace, including those at her school for ladies. Luckily for some, Dr. Van Helsing is already on his way.
The Plague of the Zombies
Horror · 1966
Sir James Forbes arrives in a remote Cornish village to identify a mysterious plague afflicting the population. He discovers that one of the squires is a disciple of Haitian witchcraft and using dark magic to resurrect the dead. As the plan to create undead servants unravels, the squire unleashes his zombie army on the unsuspecting village.
Murders in the Rue Morgue
Horror · 1932
In 19th century Paris, a maniac abducts young women and injects them with ape blood in an attempt to prove ape-human kinship but constantly meets failure as the abducted women die.
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Names above the title
The people responsible.
Cast & crew
Directed by
Robert Young
Written by
Judson Kinberg
Adrienne Corri
Gypsy Woman
Thorley Walters
Burgermeister
Anthony Higgins
Emil
John Moulder-Brown
Anton Kersh
Laurence Payne
Prof. Albert Mueller
Richard Owens
Dr. Kersh
Lynne Frederick
Dora Mueller
Court is in session
Put Vampire Circus on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.