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The Plague of the Zombies

The Plague of the Zombies

Horror · Mystery · 1966

Sir James Forbes arrives in a remote Cornish village to identify a mysterious plague afflicting the population. He discovers that one of the squires is a disciple of Haitian witchcraft and using dark magic to resurrect the dead. As the plan to create undead servants unravels, the squire unleashes his zombie army on the unsuspecting village.

Movie details

The Plague of the Zombies

“Only The Lord Of The Dead Could Unleash Them!”

1966 Horror · Mystery 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Sir James Forbes arrives in a remote Cornish village to identify a mysterious plague afflicting the population. He discovers that one of the squires is a disciple of Haitian witchcraft and using dark magic to resurrect the dead. As the plan to create undead servants unravels, the squire unleashes his zombie army on the unsuspecting village.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Plague of the Zombies?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Gilling

Written by

Peter Bryan

André Morell

André Morell

Sir James Forbes

Brook Williams

Brook Williams

Dr. Peter Tompson

Diane Clare

Diane Clare

Sylvia Forbes

John Carson

John Carson

Squire Clive Hamilton

Jacqueline Pearce

Jacqueline Pearce

Alice Mary Tompson

Michael Ripper

Michael Ripper

Sergeant Jack Swift

Roy Royston

Roy Royston

Vicar

Court is in session

Put The Plague of the Zombies on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.