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A Woman Under the Influence

A Woman Under the Influence

Drama · Romance · 1974

Mabel Longhetti, desperate and lonely, is married to a Los Angeles municipal construction worker, Nick. Increasingly unstable, especially in the company of others, she craves happiness, but her extremely volatile behavior convinces Nick that she poses a danger to their family and decides to commit her to an institution for six months. Alone with a trio of kids to raise on his own, he awaits her return, which holds more than a few surprises.

Movie details

A Woman Under the Influence

“A woman of today, her world, her passions.”

1974 Drama · Romance 2h 35m

Critical arithmetic

One number, for now.

TMDB

7.8 / 10

Community rating

Mabel Longhetti, desperate and lonely, is married to a Los Angeles municipal construction worker, Nick. Increasingly unstable, especially in the company of others, she craves happiness, but her extremely volatile behavior convinces Nick that she poses a danger to their family and decides to commit her to an institution for six months. Alone with a trio of kids to raise on his own, he awaits her return, which holds more than a few surprises.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Woman Under the Influence?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John Cassavetes

Written by

John Cassavetes

Gena Rowlands

Gena Rowlands

Mabel Longhetti

Peter Falk

Peter Falk

Nick Longhetti

Fred Draper

Fred Draper

George Mortensen

Lady Rowlands

Lady Rowlands

Martha Mortensen

Katherine Cassavetes

Katherine Cassavetes

Margaret Longhetti

Matthew Labyorteaux

Matthew Labyorteaux

Angelo Longhetti

M

Matthew Cassel

Tony Longhetti

Court is in session

Put A Woman Under the Influence on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.