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The Gorgon

The Gorgon

Horror · Fantasy · 1964

In the early 20th century a village experienced a series of inexplicable murders. All the victims were young men who had been turned to stone. The perpetrator of these deaths was a being so repulsive that she transformed the onlooker using the power of her deadly stare. Much of the time the creature took the form of a beautiful and seductive woman, but during periods of the full moon she becomes a living horror, vicious and deadly. A professor has come to investigate the deaths, bringing with him his beautiful assistant whose knowledge of the Gorgon is more intimate than anyone would ever realise.

Movie details

The Gorgon

“A venture into the deepest, starkest realms of the supernatural...”

1964 Horror · Fantasy 1h 23m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

In the early 20th century a village experienced a series of inexplicable murders. All the victims were young men who had been turned to stone. The perpetrator of these deaths was a being so repulsive that she transformed the onlooker using the power of her deadly stare. Much of the time the creature took the form of a beautiful and seductive woman, but during periods of the full moon she becomes a living horror, vicious and deadly. A professor has come to investigate the deaths, bringing with him his beautiful assistant whose knowledge of the Gorgon is more intimate than anyone would ever realise.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Gorgon?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Terence Fisher

Written by

John Gilling

Peter Cushing

Peter Cushing

Dr. Namaroff

Christopher Lee

Christopher Lee

Prof. Karl Meister

Richard Pasco

Richard Pasco

Paul Heitz

Barbara Shelley

Barbara Shelley

Carla Hoffman

Michael Goodliffe

Michael Goodliffe

Professor Jules Heitz

Patrick Troughton

Patrick Troughton

Inspector Kanof

Joseph O'Conor

Joseph O'Conor

Coroner

Court is in session

Put The Gorgon on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.