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The Apartment

The Apartment

Comedy · Drama · Romance · 1960

Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.

Movie details

The Apartment

“Movie-wise, there has never been anything like it - laugh-wise, love-wise, or otherwise-wise!”

1960 Comedy · Drama · Romance 2h 6m

Critical arithmetic

One number, for now.

TMDB

8.2 / 10

Community rating

Bud Baxter is a minor clerk in a huge New York insurance company, until he discovers a quick way to climb the corporate ladder. He lends out his apartment to the executives as a place to take their mistresses. Although he often has to deal with the aftermath of their visits, one night he's left with a major problem to solve.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Apartment?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Billy Wilder

Written by

Billy Wilder · I. A. L. Diamond

Jack Lemmon

Jack Lemmon

C.C. Baxter

Shirley MacLaine

Shirley MacLaine

Fran Kubelik

Fred MacMurray

Fred MacMurray

Jeff D. Sheldrake

Ray Walston

Ray Walston

Joe Dobisch

Jack Kruschen

Jack Kruschen

Dr. Dreyfuss

David Lewis

David Lewis

Al Kirkeby

H

Hope Holiday

Margie MacDougall

Court is in session

Put The Apartment on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.