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Oscar

Oscar

Comedy · 1967

This film originated as a play in Paris. The story focuses on the one-day adventures of Bertrand Barnier played with a genius of French cinema, Louis de Funes. In the same morning he learns that his daughter is pregnant, an employee stole a large amount of money from his company, his maid is about to resign in order to marry a wealthy neighbor and his body builder is interested in marrying his daughter. The seemingly complicated story-line is full of comedy or errors and some of the most hilarious mime scenes of the French cinema.

Movie details

Oscar

1967 Comedy 1h 25m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

This film originated as a play in Paris. The story focuses on the one-day adventures of Bertrand Barnier played with a genius of French cinema, Louis de Funes. In the same morning he learns that his daughter is pregnant, an employee stole a large amount of money from his company, his maid is about to resign in order to marry a wealthy neighbor and his body builder is interested in marrying his daughter. The seemingly complicated story-line is full of comedy or errors and some of the most hilarious mime scenes of the French cinema.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Oscar?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Miser

The Miser

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Take the Money and Run

Take the Money and Run

Comedy · 1969

Virgil Starkwell is intent on becoming a notorious bank robber. Unfortunately for Virgil and his not-so-budding career, he is completely incompetent.

Dirty Rotten Scoundrels

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Comedy · 1988

Con artist Lawrence Jamieson is a longtime resident of a luxurious coastal resort, where he enjoys the lavish fruits of his deceptions -- that is, until a competitor, Freddy Benson, shows up. When the new guy's lowbrow tactics impinge on his own sophisticated work and believing him to be the infamous conman 'The Jackal', Lawrence resolves to get rid of him. Confident of his own duplicitous talents, he challenges Freddy to a winner-takes-all competition: whoever swindles their latest mark, American heiress Janet Colgate, out of $50,000 first can stay, while the other must leave town.

Freaky Friday

Freaky Friday

Comedy · 2003

Mother and daughter bicker over everything -- what Anna wears, whom she likes and what she wants to do when she's older. In turn, Anna detests Tess's fiancé. When a magical fortune cookie switches their personalities, they each get a peek at how the other person feels, thinks and lives.

The Phoenician Scheme

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When an upwardly mobile couple find themselves unemployed and in debt, they turn to armed robbery in desperation.

Silent Movie

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Comedy · 1976

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Names above the title

The people responsible.

Directed by

Édouard Molinaro

Written by

Claude Magnier

Louis de Funès

Louis de Funès

Bertrand Barnier

Claude Rich

Claude Rich

Christian Martin, prétendant de la fille Barnier

Agathe Natanson

Agathe Natanson

Colette Barnier, fille de Bertrand et Germaine

Claude Gensac

Claude Gensac

Mme Germaine Barnier, épouse de Bertrand

Sylvia Saurel

Sylvia Saurel

Jacqueline Bouillotte, fille naturelle de Bertrand et Germaine

D

Dominique Page

Bernadette, domestique des Barnier et future Mme la baronne

Paul Préboist

Paul Préboist

Charles, domestique des Barnier

Court is in session

Put Oscar on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.