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Love Jones

Love Jones

Comedy · Drama · Romance · 1997

Darius Lovehall is a young black poet in Chicago who starts dating Nina Moseley, a beautiful and talented photographer. While trying to figure out if they've got a "love thing" or are just "kicking it," they hang out with their friends, talking about love and sex. Then Nina tests the strength of Darius' feelings and sets a chain of romantic complications into motion.

Movie details

Love Jones

“Get Together. Fall Apart. Start Over.”

1997 Comedy · Drama · Romance 1h 49m

Critical arithmetic

The consensus, allegedly.

IMDb

7.3 / 10

5.8K votes

Rotten Tomatoes

75 %

Tomatometer

Metacritic

65 / 100

Metascore

TMDB

7.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Darius Lovehall is a young black poet in Chicago who starts dating Nina Moseley, a beautiful and talented photographer. While trying to figure out if they've got a "love thing" or are just "kicking it," they hang out with their friends, talking about love and sex. Then Nina tests the strength of Darius' feelings and sets a chain of romantic complications into motion.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Love Jones?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Theodore Witcher

Written by

Theodore Witcher

Larenz Tate

Larenz Tate

Darius Lovehall

Nia Long

Nia Long

Nina Mosley

Isaiah Washington

Isaiah Washington

Savon Garrison

Bill Bellamy

Bill Bellamy

Hollywood

Lisa Nicole Carson

Lisa Nicole Carson

Josie Nichols

Marie-Françoise Theodore

Marie-Françoise Theodore

Tracey Powell

Khalil Kain

Khalil Kain

Marvin Cox

Court is in session

Put Love Jones on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.