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The Best You Can

The Best You Can

Comedy · Romance · Drama · 2025

Cynthia Rand is a buttoned-up New Yorker married to a brilliant professor 25 years her senior. She begins feeling the effects of her husband’s advancing age on their relationship, just as her world is turned upside down by the arrival of sharp but chronically underachieving security guard Stan Olszewski in this smart rom-com that reunites Bacon and Sedgwick on screen for the first time in 20 years.

Movie details

The Best You Can

2025 Comedy · Romance · Drama 1h 43m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Cynthia Rand is a buttoned-up New Yorker married to a brilliant professor 25 years her senior. She begins feeling the effects of her husband’s advancing age on their relationship, just as her world is turned upside down by the arrival of sharp but chronically underachieving security guard Stan Olszewski in this smart rom-com that reunites Bacon and Sedgwick on screen for the first time in 20 years.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Best You Can?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael J. Weithorn

Written by

Michael J. Weithorn

Kyra Sedgwick

Kyra Sedgwick

Cynthia Rand

Kevin Bacon

Kevin Bacon

Stan Olszewski

Judd Hirsch

Judd Hirsch

Walter Rand

Brittany O'Grady

Brittany O'Grady

Sammi

Olivia Luccardi

Olivia Luccardi

CJ Moretti

Meera Rohit Kumbhani

Meera Rohit Kumbhani

Pramila Mahesh

Ray Romano

Ray Romano

Doug Finkelman

Court is in session

Put The Best You Can on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.