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The Earrings of Madame de...

The Earrings of Madame de...

Drama · Romance · 1953

In late 19th century France, the Countess Louise, wife of a wealthy general, sells the earrings her husband gave her on their wedding day to pay off her secret debts, then claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, and her new lover, the Italian Baron Donati.

Movie details

The Earrings of Madame de...

“It was her vanity that destroyed her.”

1953 Drama · Romance 1h 45m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

In late 19th century France, the Countess Louise, wife of a wealthy general, sells the earrings her husband gave her on their wedding day to pay off her secret debts, then claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, and her new lover, the Italian Baron Donati.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Earrings of Madame de...?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Max Ophüls

Written by

Annette Wademant · Marcel Achard · Max Ophüls

Charles Boyer

Charles Boyer

Général André de...

Danielle Darrieux

Danielle Darrieux

Comtesse Louise de...

Vittorio De Sica

Vittorio De Sica

Baron Fabrizio Donati

Jean Debucourt

Jean Debucourt

Monsieur Rémy

Jean Galland

Jean Galland

Monsieur de Bernac

Mireille Perrey

Mireille Perrey

La Nourrice

Paul Azaïs

Paul Azaïs

Le premier cocher

Court is in session

Put The Earrings of Madame de... on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.