The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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Rosalie
Drama · Romance · 2024
France, 1870s. Rosalie is a young woman unlike any other. She hides a secret: she was born with a face and body covered in hair. She’s concealed her peculiarity all her life to stay safe, shaving to fit in. Until Abel, an indebted bar owner unaware of her secret, marries Rosalie for her dowry. Will Abel be able to love Rosalie and see her as the woman she is, once he finds out the truth?
Movie details
Rosalie
2024 Drama · Romance 1h 55m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.5 / 10
Community rating
France, 1870s. Rosalie is a young woman unlike any other. She hides a secret: she was born with a face and body covered in hair. She’s concealed her peculiarity all her life to stay safe, shaving to fit in. Until Abel, an indebted bar owner unaware of her secret, marries Rosalie for her dowry. Will Abel be able to love Rosalie and see her as the woman she is, once he finds out the truth?
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Rosalie?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Stéphanie Di Giusto
Written by
Sandrine Le Coustumer · Alexandra Echkenazi · Stéphanie Di Giusto
Nadia Tereszkiewicz
Rosalie
Benoît Magimel
Abel
Benjamin Biolay
Barcelin
Guillaume Gouix
Pierre
Gustave Kervern
Paul, le père
Anna Biolay
Jeanne
Eugène Marcuse
Jean
Court is in session
Put Rosalie on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.