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Two Weeks Notice

Two Weeks Notice

Romance · Comedy · 2002

Dedicated environmental lawyer Lucy Kelson goes to work for billionaire George Wade as part of a deal to preserve a community center. Indecisive and weak-willed George grows dependent on Lucy's guidance on everything from legal matters to clothing. Exasperated, Lucy gives notice and picks Harvard graduate June Carter as her replacement. As Lucy's time at the firm nears an end, she grows jealous of June and has second thoughts about leaving George.

Movie details

Two Weeks Notice

“Over. Done. Finished. A comedy about love at last glance.”

2002 Romance · Comedy 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Dedicated environmental lawyer Lucy Kelson goes to work for billionaire George Wade as part of a deal to preserve a community center. Indecisive and weak-willed George grows dependent on Lucy's guidance on everything from legal matters to clothing. Exasperated, Lucy gives notice and picks Harvard graduate June Carter as her replacement. As Lucy's time at the firm nears an end, she grows jealous of June and has second thoughts about leaving George.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Two Weeks Notice?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Marc Lawrence

Written by

Marc Lawrence

Sandra Bullock

Sandra Bullock

Lucy Kelson

Hugh Grant

Hugh Grant

George Wade

Dana Ivey

Dana Ivey

Ruth Kelson

Robert Klein

Robert Klein

Larry Kelson

Alicia Witt

Alicia Witt

June Carter

Heather Burns

Heather Burns

Meryl Brooks

David Haig

David Haig

Howard Wade

Court is in session

Put Two Weeks Notice on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.