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Fierce Creatures

Fierce Creatures

Comedy · Romance · 1997

Ex-policeman Rollo Lee is sent to run Marwood Zoo, the newly acquired business of a New Zealand tycoon. In order to meet high profit targets and keep the zoo open, Rollo enforces a new 'fierce creatures' policy, whereby only the most impressive and dangerous animals are allowed to remain in the zoo. However, the keepers are less enthusiastic about complying with these demands.

Movie details

Fierce Creatures

“Don't pet them.”

1997 Comedy · Romance 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Ex-policeman Rollo Lee is sent to run Marwood Zoo, the newly acquired business of a New Zealand tycoon. In order to meet high profit targets and keep the zoo open, Rollo enforces a new 'fierce creatures' policy, whereby only the most impressive and dangerous animals are allowed to remain in the zoo. However, the keepers are less enthusiastic about complying with these demands.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fierce Creatures?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Robert Young · Fred Schepisi

Written by

Iain Johnstone · John Cleese

John Cleese

John Cleese

Rollo Lee

Jamie Lee Curtis

Jamie Lee Curtis

Willa Weston

Kevin Kline

Kevin Kline

Vince McCain / Rod McCain

Michael Palin

Michael Palin

Adrian "Bugsy" Malone

Ronnie Corbett

Ronnie Corbett

Reggie

Carey Lowell

Carey Lowell

Cub

Robert Lindsay

Robert Lindsay

Sydney Lotterby

Court is in session

Put Fierce Creatures on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.