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Taking Woodstock

Taking Woodstock

Music · Comedy · Drama · 2009

The story of Elliot Tiber and his family, who inadvertently played a pivotal role in making the famed Woodstock Music and Arts Festival into the happening that it was. When Elliot hears that a neighboring town has pulled the permit on a hippie music festival, he calls the producers thinking he could drum up some much-needed business for his parents' run-down motel. Three weeks later, half a million people are on their way to his neighbor’s farm in White Lake, New York, and Elliot finds himself swept up in a generation-defining experience that would change his life–and American culture–forever.

Movie details

Taking Woodstock

“A generation began in his backyard.”

2009 Music · Comedy · Drama 2h 0m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

The story of Elliot Tiber and his family, who inadvertently played a pivotal role in making the famed Woodstock Music and Arts Festival into the happening that it was. When Elliot hears that a neighboring town has pulled the permit on a hippie music festival, he calls the producers thinking he could drum up some much-needed business for his parents' run-down motel. Three weeks later, half a million people are on their way to his neighbor’s farm in White Lake, New York, and Elliot finds himself swept up in a generation-defining experience that would change his life–and American culture–forever.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Taking Woodstock?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ang Lee

Written by

James Schamus

Demetri Martin

Demetri Martin

Elliot Teichberg

Imelda Staunton

Imelda Staunton

Sonia Teichberg

Henry Goodman

Henry Goodman

Jake Teichberg

Jonathan Groff

Jonathan Groff

Michael Lang

Eugene Levy

Eugene Levy

Max Yasgur

Emile Hirsch

Emile Hirsch

Billy

Dan Fogler

Dan Fogler

Devon

Court is in session

Put Taking Woodstock on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.