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Copenhagen

Copenhagen

Adventure · Romance · Drama · 2014

After weeks of traveling through Europe, the immature William finds himself in Copenhagen, the place of his father’s birth. He befriends the youthful Effy, who works in William’s hotel as part of an internship program, and they set off to find William’s last living relative. Effy’s mix of youthful exuberance and wisdom challenges William unlike any woman ever has. As the attraction builds, he must come to grips with destabilizing elements of his family’s sordid past.

Movie details

Copenhagen

“When the girl of your dreams is half your age, it's time to grow up.”

2014 Adventure · Romance · Drama 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

After weeks of traveling through Europe, the immature William finds himself in Copenhagen, the place of his father’s birth. He befriends the youthful Effy, who works in William’s hotel as part of an internship program, and they set off to find William’s last living relative. Effy’s mix of youthful exuberance and wisdom challenges William unlike any woman ever has. As the attraction builds, he must come to grips with destabilizing elements of his family’s sordid past.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Copenhagen?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mark Raso

Written by

Mark Raso

Gethin Anthony

Gethin Anthony

William

Frederikke Dahl Hansen

Frederikke Dahl Hansen

Effy

Sebastian Armesto

Sebastian Armesto

Jeremy

Olivia Grant

Olivia Grant

Jennifer

Baard Owe

Baard Owe

Mads

Tamzin Merchant

Tamzin Merchant

Sandra

Mille Dinesen

Mille Dinesen

Effy's Mother

Court is in session

Put Copenhagen on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.