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End of Sentence

End of Sentence

Drama · Adventure · 2019

Newly widowed Frank Fogle embarks on a journey to Ireland to scatter his late wife’s ashes. His estranged son, Sean, recently released from prison, agrees to join only when his father promises that they’ll never see each other again following the trip. After revelations surface about an old flame of Frank’s wife and a charming hitchhiker with plans of her own intervenes, father and son find themselves drawn together in unexpected ways.

Movie details

End of Sentence

“Sometimes a wrong turn can get you to the right place.”

2019 Drama · Adventure 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Newly widowed Frank Fogle embarks on a journey to Ireland to scatter his late wife’s ashes. His estranged son, Sean, recently released from prison, agrees to join only when his father promises that they’ll never see each other again following the trip. After revelations surface about an old flame of Frank’s wife and a charming hitchhiker with plans of her own intervenes, father and son find themselves drawn together in unexpected ways.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over End of Sentence?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Elfar Adalsteins

Written by

Michael Armbruster

John Hawkes

John Hawkes

Frank Fogle

Logan Lerman

Logan Lerman

Sean Fogle

Sarah Bolger

Sarah Bolger

Jewel

Andrea Irvine

Andrea Irvine

Anna Fogle

Ólafur Darri Ólafsson

Ólafur Darri Ólafsson

Stone

Denis Conway

Denis Conway

Father Tobin

Lalor Roddy

Lalor Roddy

Murphy

Court is in session

Put End of Sentence on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.