“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Tintin and the Lake of Sharks
Adventure · Mystery · Family · 1972
Tintin and Captain Haddock are sent to guard Professor Calculus, who has invented a machine that can duplicate anything, and is staying in a village near the border of Syldavia and Borduria. However, an infamous and ruthless international criminal tries to lure Calculus and Tintin away by kidnapping two children, who live nearby, in order to get his clutches on the machine.
Tintin and the Lake of Sharks
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.2 / 10
3.1K votes
TMDB
6.3 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Tintin and Captain Haddock are sent to guard Professor Calculus, who has invented a machine that can duplicate anything, and is staying in a village near the border of Syldavia and Borduria. However, an infamous and ruthless international criminal tries to lure Calculus and Tintin away by kidnapping two children, who live nearby, in order to get his clutches on the machine.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Tintin and the Lake of Sharks?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Raymond Leblanc
Written by
Greg
Put Tintin and the Lake of Sharks on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.




