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Snow Bride

Snow Bride

Romance · Comedy · Family · 2013

When a reporter encounters the eldest son of a famous political family at a mountain retreat, she winds up pretending to be his girlfriend over Christmas so he can save face with his family. Should she secretly expose newsworthy scoops about the famous family in order to save her job, or trust that she's falling in love for real? Stars Patricia Richardson and Katrina Law.

Movie details

Snow Bride

2013 Romance · Comedy · Family 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

When a reporter encounters the eldest son of a famous political family at a mountain retreat, she winds up pretending to be his girlfriend over Christmas so he can save face with his family. Should she secretly expose newsworthy scoops about the famous family in order to save her job, or trust that she's falling in love for real? Stars Patricia Richardson and Katrina Law.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Snow Bride?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bert Kish

Written by

Tracy Andreen

Katrina Law

Katrina Law

Greta Kaine

Patricia Richardson

Patricia Richardson

Maggie Tannenhill

Susie Abromeit

Susie Abromeit

Klaire

Jordan Belfi

Jordan Belfi

Ben Tannenhill

Robert Curtis Brown

Robert Curtis Brown

Peters

Bobby Campo

Bobby Campo

Jared Tannenhill

Tom Lenk

Tom Lenk

Wesley Sharp

Court is in session

Put Snow Bride on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.