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The Mistletoe Promise

The Mistletoe Promise

TV Movie · Romance · Comedy · 2016

A chance meeting between two strangers who share a disdain for Christmas results in The Mistletoe Promise, a pact to help them navigate their holiday complications - together. But as they spend more time with each other and experience the magic of Christmas the phony couple discovers there may be more to their contract than business.

Movie details

The Mistletoe Promise

2016 TV Movie · Romance · Comedy 1h 24m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

A chance meeting between two strangers who share a disdain for Christmas results in The Mistletoe Promise, a pact to help them navigate their holiday complications - together. But as they spend more time with each other and experience the magic of Christmas the phony couple discovers there may be more to their contract than business.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mistletoe Promise?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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'Twas the Text Before Christmas

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TV Movie · 2017

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Names above the title

The people responsible.

Directed by

David Winning

Written by

Michael Nourse

Jaime King

Jaime King

Elise Donner

Luke Macfarlane

Luke Macfarlane

Nicholas Derr

Christie Laing

Christie Laing

Holly

Lochlyn Munro

Lochlyn Munro

Dan Donner

Sarah Smyth

Sarah Smyth

Ashley Liss

Erin Boyes

Erin Boyes

Zoey

Ashley Ross

Ashley Ross

Drew

Court is in session

Put The Mistletoe Promise on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.