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The Fault in Our Stars

The Fault in Our Stars

Romance · Drama · 2014

Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a patient named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel's story is about to be completely rewritten.

Movie details

The Fault in Our Stars

“Life doesn't have to be perfect for love to be extraordinary.”

2014 Romance · Drama 2h 6m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a patient named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel's story is about to be completely rewritten.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Fault in Our Stars?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Josh Boone

Written by

Scott Neustadter · Michael H. Weber

Shailene Woodley

Shailene Woodley

Hazel Grace Lancaster

Ansel Elgort

Ansel Elgort

Augustus Waters

Nat Wolff

Nat Wolff

Isaac

Laura Dern

Laura Dern

Frannie Lancaster

Sam Trammell

Sam Trammell

Michael Lancaster

Willem Dafoe

Willem Dafoe

Peter van Houten

Lotte Verbeek

Lotte Verbeek

Lidewij Vliegenthart

Court is in session

Put The Fault in Our Stars on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.