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Evelyn

Evelyn

Drama · 2002

Desmond Doyle is devastated when his wife abandons their family on the day after Christmas. His unemployment, and the fact that there is no woman in the house to care for the children—Evelyn, Dermot and Maurice—make it clear to the authorities this is an untenable situation. The Catholic Church and the Irish courts decide to put the Doyle children into Church-run orphanages.

Movie details

Evelyn

“The Story of a Father’s Love That Changed a Nation.”

2002 Drama 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Desmond Doyle is devastated when his wife abandons their family on the day after Christmas. His unemployment, and the fact that there is no woman in the house to care for the children—Evelyn, Dermot and Maurice—make it clear to the authorities this is an untenable situation. The Catholic Church and the Irish courts decide to put the Doyle children into Church-run orphanages.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Evelyn?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bruce Beresford

Written by

Paul Pender

Pierce Brosnan

Pierce Brosnan

Desmond Doyle

Aidan Quinn

Aidan Quinn

Nick Barron

Julianna Margulies

Julianna Margulies

Bernadette Beattie

Stephen Rea

Stephen Rea

Michael Beattie

John Lynch

John Lynch

Senior Counsel Mr. Wolfe

Sophie Vavasseur

Sophie Vavasseur

Evelyn Doyle

Alan Bates

Alan Bates

Thomas Connolly

Court is in session

Put Evelyn on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.