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A Home of Our Own

A Home of Our Own

Drama · 1993

In 1960s Los Angeles an energetic widow and her six children try to make a dream of theirs come true: to have a home of their own. They leave L.A. and head for the countryside, all the while facing numerous difficulties and obstacles during their journey.

Movie details

A Home of Our Own

“They had nothing... and tried to find their dream.”

1993 Drama 1h 44m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

In 1960s Los Angeles an energetic widow and her six children try to make a dream of theirs come true: to have a home of their own. They leave L.A. and head for the countryside, all the while facing numerous difficulties and obstacles during their journey.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Home of Our Own?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tony Bill

Written by

Patrick Sheane Duncan

Kathy Bates

Kathy Bates

Frances Lacey

Edward Furlong

Edward Furlong

Shayne Lacey

Clarissa Lassig

Clarissa Lassig

Lynn Lacey

Sarah Schaub

Sarah Schaub

Faye Lacey

Miles Feulner

Miles Feulner

Murray Lacey

Amy Sakasitz

Amy Sakasitz

Annie Lacey

T.J. Lowther

T.J. Lowther

Craig Lacey

Court is in session

Put A Home of Our Own on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.