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Fatima

Fatima

Drama · 2020

In 1917, outside the parish of Fátima, Portugal, a 10-year-old girl and her two younger cousins witness multiple visitations of the Virgin Mary, who tells them that only prayer and suffering will bring an end to World War I. As secularist government officials and Church leaders try to force the children to recant their story, word of the sighting spreads across the country, inspiring religious pilgrims to flock to the site in hopes of witnessing a miracle..

Movie details

Fatima

“In 1917, in the midst of a world war, people needed hope. They received a miracle.”

2020 Drama 1h 53m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

In 1917, outside the parish of Fátima, Portugal, a 10-year-old girl and her two younger cousins witness multiple visitations of the Virgin Mary, who tells them that only prayer and suffering will bring an end to World War I. As secularist government officials and Church leaders try to force the children to recant their story, word of the sighting spreads across the country, inspiring religious pilgrims to flock to the site in hopes of witnessing a miracle..

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fatima?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Marco Pontecorvo

Written by

Valerio D'Annunzio · Marco Pontecorvo · Barbara Nicolosi

Harvey Keitel

Harvey Keitel

Professor Nichols

Sonia Braga

Sonia Braga

Sister Lucia

Goran Višnjić

Goran Višnjić

Artur

Joaquim de Almeida

Joaquim de Almeida

Father Ferreira

Lúcia Moniz

Lúcia Moniz

Maria Rosa

Joana Ribeiro

Joana Ribeiro

Mary

Stephanie Gil

Stephanie Gil

Lucia

Court is in session

Put Fatima on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.