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Sarah's Oil

Sarah's Oil

Drama · 2025

Sarah Rector, a Black girl born in early 20th-century Oklahoma Indian Territory, believes there is oil beneath the barren land she’s allotted, and her faith proves right. As greedy oil sharks close in, Sarah turns to family, friends, and some Texas wildcatters to maintain control of her oil-rich land, eventually becoming among the nation's first Black female millionaires—at eleven years old.

Movie details

Sarah's Oil

“Inspired by a true story of faith and fortune.”

2025 Drama 1h 43m

Critical arithmetic

One number, for now.

TMDB

7.8 / 10

Community rating

Sarah Rector, a Black girl born in early 20th-century Oklahoma Indian Territory, believes there is oil beneath the barren land she’s allotted, and her faith proves right. As greedy oil sharks close in, Sarah turns to family, friends, and some Texas wildcatters to maintain control of her oil-rich land, eventually becoming among the nation's first Black female millionaires—at eleven years old.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sarah's Oil?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Cyrus Nowrasteh

Written by

Betsy Giffen Nowrasteh · Cyrus Nowrasteh

Naya Desir-Johnson

Naya Desir-Johnson

Sarah

Sonequa Martin-Green

Sonequa Martin-Green

Rose

Zachary Levi

Zachary Levi

Bert Smith

Garret Dillahunt

Garret Dillahunt

Devnan

Bridget Regan

Bridget Regan

Kate Barnard

Kenric Green

Kenric Green

Joe

Adyan Copes

Adyan Copes

Junior

Court is in session

Put Sarah's Oil on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.