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Say Anything...

Say Anything...

Romance · Comedy · Drama · 1989

Average student and eternal optimist Lloyd Dobler seeks to capture the heart of Diane Court, a beautiful but unattainable valedictorian classmate. He surprises just about everyone - including himself - when she returns the sentiment. However, Diane's divorced, over-protective father soon begins to disapprove of the match, and Lloyd realises that it's going to take more than just the power of love to conquer all.

Movie details

Say Anything...

“A Lloyd meets girl story.”

1989 Romance · Comedy · Drama 1h 40m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Average student and eternal optimist Lloyd Dobler seeks to capture the heart of Diane Court, a beautiful but unattainable valedictorian classmate. He surprises just about everyone - including himself - when she returns the sentiment. However, Diane's divorced, over-protective father soon begins to disapprove of the match, and Lloyd realises that it's going to take more than just the power of love to conquer all.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Say Anything...?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Cameron Crowe

Written by

Cameron Crowe

John Cusack

John Cusack

Lloyd Dobler

Ione Skye

Ione Skye

Diane Court

John Mahoney

John Mahoney

James Court

Lili Taylor

Lili Taylor

Corey Flood

A

Amy Brooks

D.C.

Pamela Adlon

Pamela Adlon

Rebecca

Jason Gould

Jason Gould

Mike Cameron

Court is in session

Put Say Anything... on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.