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The Mirror Has Two Faces

The Mirror Has Two Faces

Comedy · Drama · Romance · 1996

Rose Morgan, who still lives with her mother, is a professor of Romantic Literature who desperately longs for passion in her life. Gregory Larkin, a mathematics professor, has been burned by passionate relationships and longs for a sexless union based on friendship and respect.

Movie details

The Mirror Has Two Faces

“A story about just how wrong two people can be before they can be right.”

1996 Comedy · Drama · Romance 2h 6m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Rose Morgan, who still lives with her mother, is a professor of Romantic Literature who desperately longs for passion in her life. Gregory Larkin, a mathematics professor, has been burned by passionate relationships and longs for a sexless union based on friendship and respect.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mirror Has Two Faces?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Barbra Streisand

Written by

Richard LaGravenese

Barbra Streisand

Barbra Streisand

Rose Morgan

Jeff Bridges

Jeff Bridges

Gregory Larkin

Pierce Brosnan

Pierce Brosnan

Alex

Lauren Bacall

Lauren Bacall

Hannah Morgan

Mimi Rogers

Mimi Rogers

Claire

George Segal

George Segal

Henry Fine

Brenda Vaccaro

Brenda Vaccaro

Doris

Court is in session

Put The Mirror Has Two Faces on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.