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At Middleton

At Middleton

Romance · Comedy · 2013

George is an uptight surgeon with a rebellious teenage son. Edith is a free spirit with an overachieving teenage daughter. When they meet during an admissions tour with their kids at the small, idyllic Middleton University, they decide to ditch the group. Though adversaries at first, they soon discover that the only thing better than the college tour, is the detour.

Movie details

At Middleton

“One day can change everything.”

2013 Romance · Comedy 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

George is an uptight surgeon with a rebellious teenage son. Edith is a free spirit with an overachieving teenage daughter. When they meet during an admissions tour with their kids at the small, idyllic Middleton University, they decide to ditch the group. Though adversaries at first, they soon discover that the only thing better than the college tour, is the detour.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over At Middleton?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Adam Rodgers

Written by

Glenn German · Adam Rodgers

Andy Garcia

Andy Garcia

George Hartman

Vera Farmiga

Vera Farmiga

Edith Martin

Taissa Farmiga

Taissa Farmiga

Audrey Martin

Spencer Rocco Lofranco

Spencer Rocco Lofranco

Conrad Hartman

Nicholas Braun

Nicholas Braun

Justin 'Dingleberry'

Tom Skerritt

Tom Skerritt

Dr. Roland Emerson

Peter Riegert

Peter Riegert

Boneyard Sims

Court is in session

Put At Middleton on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.