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The Mechanic

The Mechanic

Action · Crime · Thriller · 1972

Arthur Bishop is a veteran hit man who, owing to his penchant for making his targets' deaths seem like accidents, thinks himself an artist. It's made him very rich, but as he hits middle age, he's so depressed and lonely that he takes on one of his victim's sons, Steve McKenna, as his apprentice. Arthur puts him through a rigorous training period and brings him on several hits. As Steven improves, Arthur worries that he'll discover who killed his father.

Movie details

The Mechanic

“He has 100 ways to kill... and they all work!”

1972 Action · Crime · Thriller 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Arthur Bishop is a veteran hit man who, owing to his penchant for making his targets' deaths seem like accidents, thinks himself an artist. It's made him very rich, but as he hits middle age, he's so depressed and lonely that he takes on one of his victim's sons, Steve McKenna, as his apprentice. Arthur puts him through a rigorous training period and brings him on several hits. As Steven improves, Arthur worries that he'll discover who killed his father.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mechanic?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Winner

Written by

Lewis John Carlino

Charles Bronson

Charles Bronson

Arthur Bishop

Jan-Michael Vincent

Jan-Michael Vincent

Steve McKenna

Keenan Wynn

Keenan Wynn

Harry McKenna

Jill Ireland

Jill Ireland

The Girl

L

Linda Ridgeway

Louise, Steve McKenna's Girlfriend

Frank De Kova

Frank De Kova

The Man

James Davidson

James Davidson

Intern

Court is in session

Put The Mechanic on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.