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No Name on the Bullet

No Name on the Bullet

Action · Thriller · Western · 1959

When hired killer John Gant rides into Lordsburg, the town's folk become paranoid as each leading citizen has enemies capable of using the services of a professional killer for personal revenge.

Movie details

No Name on the Bullet

“Twenty-four "victims" had died before his lightning draw...until he came to the quiet town that had marked him for death!”

1959 Action · Thriller · Western 1h 17m

Critical arithmetic

The consensus, allegedly.

IMDb

7.2 / 10

3.2K votes

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

When hired killer John Gant rides into Lordsburg, the town's folk become paranoid as each leading citizen has enemies capable of using the services of a professional killer for personal revenge.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over No Name on the Bullet?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jack Arnold

Written by

Howard Amacker · Gene L. Coon

Audie Murphy

Audie Murphy

John Gant

Charles Drake

Charles Drake

Luke Canfield

Joan Evans

Joan Evans

Anne Benson

Virginia Grey

Virginia Grey

Roseanne Fraden

Warren Stevens

Warren Stevens

Lou Fraden

R.G. Armstrong

R.G. Armstrong

Asa Canfield

Willis Bouchey

Willis Bouchey

Buck Hastings

Court is in session

Put No Name on the Bullet on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.