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Don Juan DeMarco

Don Juan DeMarco

Romance · Drama · Comedy · 1994

John Arnold DeMarco is a man who believes he is Don Juan, the greatest lover in the world. Clad in a cape and mask, DeMarco undergoes psychiatric treatment with Dr. Jack Mickler to cure him of his apparent delusion. But the psychiatric sessions have an unexpected effect on the psychiatric staff and, most profoundly, Dr Mickler, who rekindles the romance in his complacent marriage.

Movie details

Don Juan DeMarco

“The story of the man who thought he was the greatest lover in the world... and the people who tried to cure him of it!”

1994 Romance · Drama · Comedy 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

John Arnold DeMarco is a man who believes he is Don Juan, the greatest lover in the world. Clad in a cape and mask, DeMarco undergoes psychiatric treatment with Dr. Jack Mickler to cure him of his apparent delusion. But the psychiatric sessions have an unexpected effect on the psychiatric staff and, most profoundly, Dr Mickler, who rekindles the romance in his complacent marriage.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Don Juan DeMarco?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jeremy Leven

Written by

Jeremy Leven

Johnny Depp

Johnny Depp

Don Juan DeMarco

Marlon Brando

Marlon Brando

Dr. Jack Mickler

Faye Dunaway

Faye Dunaway

Marilyn Mickler

Géraldine Pailhas

Géraldine Pailhas

Dona Ana

Bob Dishy

Bob Dishy

Dr. Paul Showalter

Rachel Ticotin

Rachel Ticotin

Doña Inez

Talisa Soto

Talisa Soto

Doña Julia

Court is in session

Put Don Juan DeMarco on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.