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Head in the Clouds

Head in the Clouds

Drama · Romance · War · 2004

Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated.

Movie details

Head in the Clouds

“Three lives. One destiny.”

2004 Drama · Romance · War 2h 1m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Head in the Clouds?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

John Duigan

Written by

John Duigan

Charlize Theron

Charlize Theron

Gilda Bessé

Penélope Cruz

Penélope Cruz

Mia

Stuart Townsend

Stuart Townsend

Guy Malyon

Thomas Kretschmann

Thomas Kretschmann

Major Thomas Bietrich

P

Peter Cockett

Max

Gabriel Hogan

Gabriel Hogan

Julian Ellsworth

Karine Vanasse

Karine Vanasse

Lisette

Court is in session

Put Head in the Clouds on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.