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Christopher and His Kind

Christopher and His Kind

Drama · Romance · TV Movie · 2011

In 1931, budding author Christopher Isherwood goes to Berlin at the invitation of his friend W. H. Auden for the gay sex that abounds in the city. He falls for street sweeper Heinz, paying medical bills for the boy's sickly mother, to the disapproval of her other son, Nazi Gerhardt.

Movie details

Christopher and His Kind

2011 Drama · Romance · TV Movie 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

In 1931, budding author Christopher Isherwood goes to Berlin at the invitation of his friend W. H. Auden for the gay sex that abounds in the city. He falls for street sweeper Heinz, paying medical bills for the boy's sickly mother, to the disapproval of her other son, Nazi Gerhardt.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Christopher and His Kind?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Geoffrey Sax

Written by

Kevin Elyot

Matt Smith

Matt Smith

Christopher Isherwood

Imogen Poots

Imogen Poots

Jean Ross

Lindsay Duncan

Lindsay Duncan

Kathleen Isherwood

P

Perry Milward

Richard Isherwood

Toby Jones

Toby Jones

Gerald Hamilton

Pip Carter

Pip Carter

W. H. Auden

Alexander Dreymon

Alexander Dreymon

Caspar

Court is in session

Put Christopher and His Kind on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.